Adding Sound Throughout Digital Signage Video

At first it looks like a very good idea. Using audio in your video digital signage seems an excellent approach to attract and retain the attention of your visitors. More importantly, it opens the door to developing campaigns that can easily provide your principles in the text and sound. The trouble is, the process is more dangerous than many network managers recognize. It has never been easier to push people away from your screens with a device that has a lot of potential.

Below, we will explore the integration of audio content in your display by special circumstances for and against its use. I’llI will identify the reasons for the integration, in addition to some of the barriers that ensnare the novice system operators; I will also provide some suggestions for getting the most out of audio in case you decide to incorporate within your content.

The Case For Audio

study demonstrates that a large percent of people who listen to a promotion for a product are choosing to buy this product. In some cases, a sound marketing store is convincing enough to motivate consumers to choose a different brand than they had originally planned to buy; it is powerful; it indicates that there is good reason to incorporate its contents into your DOOH, especially in a place of retail. Nevertheless, it is crucial to balance the argument by exposing some of the possible consequences.

The Case Against Audio

Adding audio to your video digital signage is similar to the driving a high performance vehicle: if you do not know what you’re doing, you can trigger a lot of damage. While his might improve your segments and activate your audience, it can also have a negative effect on customers and staff of sites.

One of the challenges of using the audio is that it seems to command a space. With purely visual campaigns, shoppers can skip the sections that fail to interest them; However, if the contents of the display consist of comments, music or other kinds of sound, it will be impossible for buyers to ignore. The only way for them to escape is to get out of the area.

Another potential problem for the staff of a place; if they find irritating your clips, they might just reduce – or off – the volume of your monitors; if you are depending on the audio portion of your content to generate a response, turn off the sound level handicap essentially your segments.

How to use sound without driving your viewers Far

If you are determined to move on forward integrating within your content signaling, do everything carefully following a few basic rules. First, make sure that your messages can stand on their own depends solely on their visual elements. Audio should complement your message, not push.

Second, make sure that the audio portion of your video is not inconsistent with the atmosphere of the venue. If this is the case, the owner of the local can cut the volume.

Third, avoid spreading audio throughout your segment of the entire display. Deliberately use as an accent instead of the thrust of the pipe; less is more.

Statistics tell the truth

The last word on the subject should be your own numbers

The data you put all of the testing and monitoring results will always trump the experts’ statements; That said, if you’re going to go forward with audio, you should get a monitoring program in place to measure traffic patterns and response rates. This is the only approach to see if your signal clips are effective.

For instance, pedestrian traffic around your screens growing or declining? Your response rate rises or drops through the floor? Also, talk with the staff of the host institution about whether consumers seem committed or hampered by the audio content in the digital display.

Sound can help make your more attractive and useful display clips. But there are many risks along the way; you might find that avoiding her and focus on your video presentation is a better way to achieve your goal.


The above article was provided by ConnectedSign, one of the leading innovators in the technologies of digital signage, as http://www.connectedsign.com/. Visit them at http://www.ConnectedSign.com

Audio Spotlight’s Sound Beam Turns Heads At The Smithsonian Future Is Here Festival in Washington, D.C.

Watertown, MA (PRWEB) June 13, 2014

Holosonics‘ Audio Spotlight speakers sound like the stuff of science fiction: they produce a narrow beam of sound with the same precision as a flashlight. At any point inside the beam sound is clear and present, literally surrounding the listener’s head, while just a single step or two outside the narrow coverage area sonic bleed is nearly inaudible. Harnessing the miniature wavelengths of an ultrasonic carrier, and relying on entirely different physics than traditional loudspeakers, Holosonics’ Audio Spotlight system is literally capable of providing sound where you want it, and preserving the quiet where you don’t.™

The Audio Spotlight technology was a perfect fit for the spirit of The Smithsonian’s Future Is Here Festival, an annual celebration and exploration of science, technology, culture and the arts gathered around the exciting, elastic theme of future technology. Focused on motivating young people in science, guest speakers Deborah Berebichez of Science Channel’s Outrageous Acts of Science and Kari Byron of Discovery Channel’s Mythbusters used the Audio Spotlight speaker to pan the audience, giving those in attendance a truly unique listening experience.

As Berebichez explains, “We discussed the physics of sound and demonstrated the futuristic effect of Holosonics’ Audio Spotlight speaker by beaming the popular Pharrell Williams song ‘Happy’ to the audience. Having never experienced anything similar before, people laughed and applauded as the beam of music passed by their heads, and the excitement could be felt in the room.”

To help relate the benefits of Holosonics’ directional speakers, Byron and Berebichez referenced Hollywood’s science fiction blockbuster ‘Minority Report,’ which included scenes where actor Tom Cruise was singularly targeted on a public sidewalk with personalized retail advertising announcements. The futuristic concept was based directly on Holosonics’ Audio Spotlight technology, and adding controlled sound to digital signage or in-store product displays are already two of the more popular applications for their directional speakers.

Kari and Debbie discussed other practical applications where controlled sound is of particular benefit, such as museums, galleries, and trade show exhibits, kiosks, waiting rooms, offices, and healthcare facilities, and even assisted listening for the hard of hearing. As the technology continues to mature and evolve, they expect Holosonics’ speakers could one day be found in every household, allowing families to split-screen TV’s and listen to different programming from opposite sides of the same couch, or to help a slumbering partner sleep more comfortably in peace while their spouse watches TV beside them in bed.

Kari shares, “The Holosonic speaker is a perfect example of how today’s innovations can impact our daily lives for years to come. It was great to demonstrate the power of the Audio Spotlight technology to a science-minded audience.”

About Holosonic Research Labs, Inc.

Holosonic Research Labs, Inc., a pioneer in directional acoustics, develops and manufactures the Audio Spotlight® directional sound system. Founded in 1999 by MIT graduate Dr. F. Joseph Pompei, Holosonics’ Audio Spotlight technology is used in a wide variety of applications including museums, libraries, offices, reception areas, retail displays, trade shows and retail kiosks. The world’s top organizations and companies use the Audio Spotlight directional sound system to beam sound to their listeners… and preserve the quiet.™